Because you can’t see it all

by Richard Reeve on February 6, 2009

in Sand Box

The American Museum of Natural History's south...
Image via Wikipedia

We are planning a journey into the Big Apple for my son’s seventh birthday in a couple of weeks.  He wishes to return to what he calls the Great Museum of Natural History (AMNH) and also wants to go to the place that has the knights.  So this will be his first trip to the MET where along with the grand displays of the armour, little gems from the period like this can be viewed.

Museum going can overwhelming for folks of any age.  Our years living in New York City taught us the value of having a clear plan because our ability to absorb what we are seeing is limited.  After 90 minutes or so of constant viewing you can start to feel the energy level fade pretty quickly.

When visiting an art museum we normally have one specific work of art that we wish to really “see.”  That process might include thirty minutes to an hour just viewing that piece of artwork, note taking and sketching, with a few return viewings during the rest of the stay.

Along with our focus on the primary piece of art, we often will pick one collection or show to view during the visit.  For instance, we may decide to see the Greek vases or the American Wing of painting.  Then we remain open to the unexpected works that grab our attention as we navigate through the galleries.

What I’m stressing here is that the touring plans that the museums lay out for visitors with color coded maps may not lead to the best experience for you and your group.  They may provide an strategy to see the “most important” pieces in the entire collection within a limited time frame, but that says nothing about the works that will speak to your interests.  

What are your thoughts about introducing children into the practice of museum going?  What strategies have worked for you?  Any disasters?

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  • First rate reply, Richard; thanks.

    Some very high profile contemporary artists often wangle exhibition "terms" that approach the classical model you mention.

    But even *that* seems more suggestive of a syllogism like:

    Tiffany vitrine:Wal-Mart display::Serra installation:non-juried exhibition

    Luxe, fetishism...

    *Do* remember to post a follow-up after the excursion!

    <abbr>Mark V. McDonnell´s last blog post..Four Steps to Sports Success - What to strive for in training</abbr>
  • As far as my son is concerned the Science Museum was a hit! The Getty is tolerable...the Met and the Louvre might be a different story all together! :~)

    Have fun!

    <abbr>Henie´s last blog post..Friday Focus</abbr>
  • Jay
    When Tina and I lived near NYC, we went to the MET once a month for 10 years. We never saw it all, bit everytime was so magical, we never minded. What a great gift for a 7 year old..or any age for that matter- now I want to make the 12 hour drive back. :-)

    <abbr>Jay´s last blog post..Life Lessons from a Japanese Tea Master</abbr>
  • A tad tangential (no child *I* know would tolerate it!): when I lived in Manhattan and had an annual pass to MoMA, I'd visit ~1x/wk to see *one* work only, taking pains to keep my eyes downcast while negotiating the maze on my way to that one work.

    Might spend 45 minutes in front of my "target." But my motivation stemmed from the phenomenon you cite, which I used to call "museum sickness."

    It's not unrelated to "mall sickness." I get way overstimulated there, too!
  • Hello Mark,
    I think your recognition of the relationship to mall sickness and the over stimulation is indicative of the consumeristic posture in relationship to so many things. In the end, the glossing of the aesthetic potential by over stimulation never leads to the type of profound experience that can unfold when we engage with just a few works. It reminds me of the total opposite approach that was reached in the ancient world when one statue would be the focal point of a temple.
  • I love this strategy! Because yes, you can follow the map and go stand in front of every "important" work in a day, but you tend to glaze out after a while and things don't register any more. I remember my High School art teacher had a sort of similar suggestion when he took us up to the museum in Chicago - he told us to walk into the room, scan it and then go spend time with the painting or two that most caught our attention for as long as the class had time to be in that room.

    <abbr>Heather´s last blog post..Learn the Chords to ‘Thank You For Last Night’ From Amy Kuney Herself!</abbr>
  • Hi Heather,
    It's amazing how there are those teachers along the way that give us not just knowledge, but access...Thank you for sharing.
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